By Donna
Artisan perfumer Dawn Spencer
Hurwitz of DSH Perfumes
has presented another set of perfumes based on a collaboration
with the Denver Art Museum, an artistic venture that brought us such
past gems as the Secrets
of Egypt fragrances and the YSL Retrospective collection. The
new trio, inspired by iconic works of French art, is called the
Passport to Paris collection. Each one was made to reflect the
character of a particular piece, and after testing these all I can
say is get me on a flight to France immediately if this is what
happens when one contemplates French masterpieces.
I began with the delicately delicious
Amouse Bouche, which translates (very) loosely to “there's a
party in my mouth.” I only wished that I could have a real
strawberry confection like this to eat instead of being tantalized by
the perfume. It is a gourmand with a feather-light touch, beginning
with a realistic strawberry note heightened by lemon before the
florals, including rose, jasmine and ylang ylang chime in to ensure
that it's more than just a novelty scent. Soon the gourmand notes of
tonka bean, buttered brioche and vanilla show up, and their
restrained sweetness makes this smell like a sophisticated pastry,
the kind that's almost too pretty to eat. I am a huge fan of
strawberry in perfume, and therefore I am very critical of it when
it's done badly. This is exactly right, and as a gourmand fragrance
it's just sweet enough to make you want more, as though you were
looking with longing into the storefront of a patisserie that has
closed for the day and you have to be satisfied with the lingering
aroma in the air. Amouse Bouche was made to match the mood of
Toulouse-Lautrec's “The Dunce's Cap' and it is as lighthearted as
its inspiration.
Vers la Violette is entirely
different, a moody green violet perfume with a refined sueded base.
Its touchstone was a pastoral painting by Post-Impressionist painter
Hippolyte Petitjean. I adore violets, so I was predisposed to like
it, and it exceeded my expectations. Look “French perfume” up in
the dictionary and you might well find a picture of this; nothing
could be more Parisian than a bunch of violets, and this fragrance
exudes chic right from the beginning. It is subtle but not wistful as
the green notes of galbanum and oakmoss keep it away from the
fainting couch; instead it strides breezily down the boulevard, cool
and confident. This is the kind of violet fragrance that a man can
wear with ease – notes of lemon, leather and ionone tamp down the
floral sweetness. The perfumer really has a way with this fragile and
temperamental floral; this is just about the polar opposite of her
amazing Quinacridone
Violet
but no less deftly composed and it shows the range of
possibilities to be discovered for the humble yet beautiful violet.
It might even remind you a little of Balmain's Jolie Madame with its
violets and leather, but with the chypre darkness replaced by buoyant
spring green. If you can't be in Paris for the April violets, just
wear Vers la Violette instead.
Passport à
Paris was a real surprise; it was the last one I tested, I did
not expect that it would become quite strong on my skin after the
initial impression of bergamot, anise and lavender made me think it
would be as delicate as the other two. It is a classic fougère
with a twist; as it develops it becomes richly animalic and
decadently powdery, laden with patchouli, rosewood, civet, coumarin
(of course) and sandalwood and with impressive staying power. The
perfumer took her inspiration from Claude Monet's “The Beach at
Trouville” which is a glimpse into the life of the upper classes
taking the air at a seaside resort. It owes more to iconic unisex
perfumes like Guerlain's Jicky than to strait-laced English style
fougères that conform to
a narrow definition of what “men's colognes” should smell like.
(Don't worry, it's not a huge stonking monster like Drakkar Noir
either!) This juice is anything but stuffy, spicy-powdery but with a
soapy back beat that is irresistible, like a really sexy man fresh
out of the shower, wrapped in a towel and shaving with a creamy
lather, and all you can think of is unwrapping him. I don't
often wear traditional masculine fragrances myself except for a few
favorites like Grey Flannel, but I would wear this one, if only to
conjure up a mental image of the guy in the towel...but I digress.
Passport à Paris is as
good as it gets in the fougère department in my opinion, but don't
take my word for it, since I am not as well versed in this genre as I
could be. I can only say that both men and women should give it a
try, because it's really great.
Image credit: Eiffel Tower wallpaper
(the kind you can buy in a roll) from spoonflower.com.; also
available as fabric. I want some!
Disclosure: the fragrance samples
for this review were given to me by DSH perfumes.
I am absolutely going to have to try the sexy man just out of the shower scent! :O)
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