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Tuesday, May 03, 2011

Guerlain Shalimar Parfum Initial - Perfume Review

By Marina

So, the regular Shalimar must have been judged too difficult to wear and understand for a younger crowd, and Guerlain had to come up with a flanker more suited for the tastes of Generation Z or whatever letter we are on now. At least that is what one gleans from the legend: Thierry Wasser was asked by his 17-year-old niece to make her own Shalimar...Aww.

Thing is Parfum Initial smells no more approachable, easy-to-wear or dare I use the word, younger than the original. It simply smells less interesting. Not just the "intimidating" leather note (source) is gone, but also the luminous citrus top, which is what makes the real Shalimar shimmer like a precious multi-facted jewel that it is. And that is peculiar, because citruses are one of the most popular, non-threatening and "young" notes in perfume.

What there is in abundance is orris, with a good old dollop of vanilla and tonka. I suppose Shalimar might be considered "heavy", but to me Parfum Intial, without the lift of the citrus, without the intrigue and intricasies of a complex development, is heavier still. It is blunt, it is a one-accord, if not a one-note composition. That one accord (of aforementioned orris-vanilla-tonka) makes the composition sort of recognizable as a Guerlain, but not all that recognizable specifically as related to Shalimar. I suppose Parfum Initial could be its niece, but she won't be 17 and she certainly won't be a beauty like Vodianova who fronts the campaign.

The flanker lacks finess and detail, and it were these qualities which made Shalimar a masterpiece. To continue the analogy with a jewel, Shalimar is a big and baroque Koh-i-noor type of thing, for sure, but it is carved inticately, carefully, with the finest of instruments, as fitting for such a precious stone. Parfum Intial is the replica (a swear word for LVMH) hammered out of thick glass. Same applies to the bottle.

Guerlain boutique at Bergdorf Goodman told me that Shalimar Parfum Initial will be available in the States no earlier than in fall. I am not motivated enough to investigate further and confirm if that is so and why such delay. The fragrance is available at sephora.fr right now, 47,00€-92,10€.

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Tuesday, January 20, 2009

Shalimar

By Beth

I think that everyone has a perfume that is so completely evocative, so emotionally relevant that a simple waft of it can spin you back decades. Such is it with me and Shalimar. So many have such a strong love/hate relationship with this scent, but I have always loved it and it me. It was the fragrance that my mother wore for her entire married life and my father used to buy it for her constantly and in every form because he adored it! I always assumed that she did too, but she confided in me several years before her death that she’d always hated it. I was surprised because it smelled absolutely devastating on her. She was an excellent wife in that respect and a bit of a contradiction , a feminist to the core and way before her time , however making my father happy was as she saw it” her most important job”. Fortunately she passed the knowledge on. The day that I married my husband, she pulled me into the back bedroom and said “Remember darling, you can buy your own things....so whatever he gives you, wear it to bed, even if it’s a toaster!” That alone has been the best piece of advice that I ever received from her with the exception of one other that I can’t share here...if you want to know, write me privately:)

So wear Shalimar she did and some of my earliest memories of her are of that scent. Until about 2 years before her death, my parents went to hear the Cleveland Orchestra every Thursday night. I loved watching her dress for the symphony, she was unbelievably elegant. She would slip on one of several black dresses, comb back her raven colored hair and spray it into submission. Then she would put a bit of blush and paint on her lipstick, always the same “Fire and Ice red and then pick up her bottle of Shalimar. She had a ritual for it, a little behind her ears, a bit in her hair , her cleavage and around her ankles. To an impressionable 8 year old it was the most glamorous act ever. Then she would put on her opera length gray pearls, knot them twice and walk into the kitchen to find my father who would always be enchanted simply by the sight of her. She was completely gorgeous,when she was younger she looked just like Hedy Lamarr. My father would whisk her off into the night and I would be left to wonder about that magic, hoping someday that it would be my birthright too. She shared all of that part of herself with us, it was important to her. She was very generous in that way, a powerful priestess of love.

She had a beautiful closet for us growing up, a dress up closet filled with all kinds of wonderful things that she’d outgrown. Velvet capes and beautiful high heels, shawls and scarves. We would play in it for hours and when I had put together the perfect outfit she would take me into the bathroom and fix my makeup, always finishing with just a touch of her perfume. I loved it, especially the black and burgundy velvet cape that I would always wear. But most of all, I loved her Shalimar. I have always found it to be a warm and enveloping fragrance, very very sexy. Shalimar lingers like a kiss from just the right man, one who knows you well and yet adores the mysteriousness about you that he can’t quite understand. Wearing Shalimar reconnects me with the old stories of the Sacred Prostitutes of Isis, who spent hours preparing themselves in their temples to receive the passions of strangers coming to worship them embodied as the sacred feminine on earth. I can imagine spending hours brushing my hair, anointing myself with sacred oils, preparing myself for that passion. I love it’s vanilla qualities, the musky balsam and benzoin with the hints of leather and the strange seductiveness of orris. I love that when I wear it I feel absolutely gorgeous and ready for love.

Shortly after my mother’s death I inherited her gray pearls. Receiving them was only one of the many rites of passage associated with my mothers dying but putting on those pearls felt more than a little strange for they sang of her soul and I wanted her to be there with me instead laughing and putting on her lipstick. With a deep sigh I looped them around my neck, knotted them and took a deep breath and there it was, the scent of her Shalimar leaving me spinning happily back in time suddenly and completely unafraid and no longer alone.

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