Vanille Galante by Hermes: Perfume Review

"That time was like never, and like always. So we go there, where nothing is waiting; we find everything waiting there." Pablo Neruda, Sonnet IV When I really love a perfume, I am reluctant to analyze it. Breaking it into details will rob it of its magic. The tops notes of this, the heart accord of that, the hint of the other, perfumer's intention, the concept, the whys and the hows of it all...no, none of that today! Does any of that matter? I never expected to love a vanilla created by Jean-Claude Ellena, and, having fallen in love with it, I don't want to know why. Nor do I believe it is possible to know why we love something or somebody. I don't mean "like", it is always possible to know the reasons of like...I don't love somebody for his brown eyes, sweet smile and sense of humor. I like him for that. I love him for no reason at all. I like the unripe, slightly salty melon of Vanille Galante, the cold lily note, the almost non-existence of vanilla, the pure, calm water in which the ingredients serenely flow, the pastel colorlessness of it all. But these are details. Details don't always add up to love and never explain it. Why do I love the scent like that, which I was not meant to love at all? I am not a fan of vanilla, I am not fond of pared down compositions, I certainly don't appreciate aquatics. Is it quantum physics, molecular attraction, timing...? When there is no reasonable explanation- it's love. Vanille Galante is available at Hermes boutiques, $235.00 for 100ml or $145.00 for a very convenient set of four 15ml bottles.

Frederic Malle L'Eau D'Hiver: Perfume Review

By Tom Created in 2003 by Jean Claude Ellena and as sharp and clear as an icicle, D'Hiver is listed as having notes of heliotrope, iris and honey (according to Barney's). I also get bergamot in the opening and an overarching angelica. But mostly I get a sense of whiteness. Whiteness and coldness. As if you were sitting in a freshly painted white room looking out a picture window at a field of snow, perhaps with a television set in the background that's set to a station that's only static while wearing a white suit. If it weren't so lovely it would seem almost stuntish it it's whiter-than-white aspect. I love it in winter, which in LA can get into the 80's (I know, hate me), but I really like it in the heat of summer where it's as refreshing as a cool bath. Available at Barney's, $120 for 50ML

Where is the Love for Lalique?

By Marla Lalique sort of snuck up on me. I was predisposed to try a few of the perfumes because of my adoration for its turn-of-the-century glass sculptures, particularly those made of opaline, the milky translucent glass with gold and blue fire swirling within. The House of Lalique was founded by (obviously French) René Jules Lalique (1860-1945) and became one of the most famous design firms of the Art Nouveau movement. In 1907, Francois Coty hired Lalique to create perfume labels, and the bottles a short while after that. Perfumery was never the same. Almost a century passed before Lalique produced its first fragrance under its own brand name in 1992: Lalique for women (a floriental, now discontinued). Quite a few have premiered in this new century: Faune (2000), Equus (2001), Tendre Kiss (2002), Eau de Lalique (2003), Flora Bella (2005), Lalique Le Parfum (2005), Perles de Lalique (2006), Encre Noire (2006), Amethyst (2007), and Lalique White (2008). They hire well-known noses and utilize more lavish ingredients than most mainstream houses. It’s not necessary to say that the bottles are generally gorgeous. Without thinking about it much (the nose knows), I ended up with large bottles of Flora Bella, Perles, Amethyst, and Eau de Lalique, and sample vials of Le Parfum and White. The bottles I found were always tucked away in the back of the shop, and the SAs didn’t know anything about them except that, “Lalique is famous for glass.” Okay! Seems to me the House of Lalique is due for a little love. So here are some mini-reviews which I hope will inspire affection for these gems. Lalique White (made for men- but I like it, too!): Designed by Christine Nagel, notes are tamarind, lemon leaf, bergamot, nutmeg, white pepper, violet, cardamom, amber, musk and cedar. White is truly unisex- it doesn’t seem made for either male or female, but for both, either, whatever. I swear there is a touch of bay in here because it reminds me quite a lot of traditional Caribbean bay rum colognes, which I remember very fondly from my childhood, and which I still believe are one of the finest perfume families out there . The hot/cold spice interplay runs for a good hour or so, and the softer, but still spicy, drydown lasts most of the day. I am impressed, and have run through 2 sample vials in less than a week. Amethyst: This perfume by Nathalie Lorson, launched in 2007. Head notes of nutmeg, blackberry and blackcurrant, heart notes of rose, pepper, peony, lily and ylang-ylang; the base is a conventional, though cuddly, vanilla musk. The bottle design of purple thorns entwining purple frosted glass is based on a Lalique design from 1920, and it’s gorgeous and goth. The first time I smelled this, in 2007, it smelled somewhat artificial to me, and had a leeetle cough syrup vibe. Then it just disappeared from the shelves, only to reappear a couple months ago. I tried a decant, and this time, a very natural blackcurrant, with not so much floral in the background, greeted my nose. This (I think) reworked version smells like a dacha in summertime now, and reminds me of our marathon black-currant and berry harvests in Ukraine. Yum. Perles de Lalique- This perfume was launched in 2006 and won a Marie Claire best-perfume award in 2007. Two versions of the bottle exist, both lovely; one was designed for the extrait, and the other for the EdT. The extrait de parfum bottle was inspired by the René Lalique “Cactus” powder bowl of 1928, all feathers and spiky bits. I’ve only seen one in real life and it was stunning, and unfortunately, not for sale. The no-oakmoss chypre inside was designed by Nathalie Lorson. Bulgarian rose and bourbon pepper dominate the scent from start to finish. These two notes are anchored by iris, patchouli, and musk. This one is popular in central Europe. It’s strong, with a powerful sillage. I notice Americans don’t like it much, but it strikes a chord with Europeans in winter. I get cravings for it as soon as the snow falls. Flora Bella (2005) is my personal favorite by Lalique, no surprise, as it’s composed by my favorite nose, Bertrand Duchaufour. This cold, alien floral has notes of mimosa, carnation, cassie, orchid, freesia, lilac, frangipani and tiare; base notes of spices, amber, helional, vanilla and white musk. This is what I wanted Thierry Mugler’s Alien to smell like- icy, remote, strangely compelling, heartbreakingly beautiful and completely odd. There’s no other floral out there like this, and it’s one of the few florals in my heavy-use collection. It’s also purple, which is nice. Eau de Lalique is a cold, spicy unisex cologne in the inimitable Ellena abstract watercolor style; it was composed by both JC Ellena and Emilie Copperman in 2003. Head notes are mandarin orange, pimento, bergamot, dill, cardamom and lemon; heart notes are cinnamon, hibiscus and freesia; base notes are sandalwood, musk, benzoin and guaiac. I tend to find colognes rather dull and evanescent, but this one has those peculiar twists and surprises that make Ellena’s best compositions so easy to return to, and so, well, mysterious. It lasts far longer than most colognes as well. Lalique Le Parfum is a heavy oriental that was designed by Dominique Ropion and launched in 2005. Head notes are bay, bergamot and pink pepper; heart notes are jasmine and heliotrope; base notes are sandalwood, tonka, patchouli and vanilla. I’ve only tried this one once, and it was slammed by Luca Turin/ Tania Sanchez, but I enjoyed it more than they did. Heavy orientals are not my style, but if they were, I’d buy a bottle. Encre Noir is another I’ve only tried once, but the cubic, black bottle is stunning, and it’s one of the best vetivers I’ve tried. Unfortunately, it’s extremely difficult to find. Eau de Lalique and Flora Bella can be bought for under $20. I’m not kidding. That’s a well-made perfume by very famous perfumers for less than a pre-frozen dinner in most chain restaurants. This is incredible to me, as they are both gorgeous and unique. I pondered the weirdness of this for a while and came to the conclusion that’s it’s the marketing and distribution that’s the problem. I live in both Europe and the US and have never seen an ad for any Lalique fragrance, nor have I seen bottles in many shops. When found in shops, they are skulking about in some dark corner. There are no wild parties for their launches that can be viewed on YouTube (as for the effervescent Gaultier’s MaDame). Yet they are considered too mainstream for many niche perfumeries to carry, so they get no love there, either. I’m just lucky I live near a store that carries them, and that some US online perfumers will sell them for the price of a bag of burgers and fries. I recommend them over the burgers, by the way.

Perfume Review: Hermes Un Jardin apres la Mousson

If it were up to me, I would change "Jardin" to "Watermelon Plantation". The mousson has passed, and wind and rain wreaked havoc on the field, cracking open huge, ripe watermelons, making them release their syrupy and at the same time watery-fresh aroma.... I bet you are thinking this is going to be a negative review. I absolutely adore Un Jardin apres la Mousson. Not because it showcases Ellena's trademark minimalist style. Actually, as far as I am concerned, the new garden scent is not as pale and bare as the Hermes's nez is capable of making his compositions. The colorless accord of wood and vetiver, which IS very Ellena, serves as a canvas, on which there are thrown, in a very harmonious fashion, splotches of vivid colors: the gold of cardamom and ginger, the crimson of coriander, the black of pepper and the brightest and most delightful of them all- the vivid, moist, shiny pink of watermelon. I adore Un Jardin apres la Mousson, because it makes me think of home. In my part of Russia, watermelons are the summer refreshment and delicacy of choice. From the green, very fresh beginning, to the nectarous heart, to the sharp, almost "savory" base the scent seemingly traces the course of life of a watermelon: from the unripe to the fully matured, brimming with juices and ready for devouring, to the marinated (that's right, we marinate watermelons in salt, preserving them for a year-round consumption...and by the way, nothing cures a hangover like a slice of salty watermelon... don't ask me how I know). The scent is not at all what I expected, and, believe you me, I never expected to wear a watermelon perfume with such enjoyment. I absolutely need Un Jardin apres la Mousson for summer. Available at hermes.com, $85.00-$125.00. Image source, kaydaly.com.

Perfume Review: Hermes Kelly Caleche

On Thursday, Kelly Caleche, the latest release from Hermes, will be unveiled for an exclusive preview at the new Hermès boutique on Wall Street. Created by Jean-Claude Ellena, the scent pays homage to the famous Kelly bag and Calèche, one of the first fragrances released by the house. You know how excited I was when I first heard about the upcoming launch of Kelly Caleche. Floral-leather is my kind of thing, Hermes is the house I adore and Ellena is the perfumer I highly respect. Kelly Caleche is not what I hoped, but neither it is what I feared. It is what in the rational corner of my excitable mind I expected it to be, an elegant, tolerably youthful, understated scent with tasteful hints rather than barbarically generous doses of leather. The beginning playfully slapped me on the nose with an unexpected note of grapefruit. Before I could collect my wits and protest (I am not friendly with grapefruit), the citrusy explosion dissipated into a floral accord of commendable complexity. Kelly Caleche is full of nuances, all of them very subtle. The flowers are done in transparent soft hues and they mesh into a delicate harmony, in which it seems almost impossible to distinguish separate notes ...until suddenly a cold, rooty iris peaks through the pastel mist only to disappear just as quickly ...then a softly-powdery, vaguely gourmand, green and yellow mimosa comes forth and almost immediately goes away ...a sweet, sparkly rose pops up once in a while and hides again ...and thus on and on ...flowers playing games, teasing me. The one note that spends most of its time in hiding is leather. During the first two-thirds of the scent's development, there is not even a hint of the note, and nothing in the gentle and whimsical floral blend seems to herald its arrival. Eventually leather tip-toes in and inconspicuously positions its well-mannered self behind the gauzy flowers. In accordance with the general feel of toned down elegance of the composition, the leather note speaks in a quiet, soft voice, and one has to strain to hear it. The note makes me think not of an expensive leather bag but rather of a trace of smell that the handle of such a bag would leave on one's skin. Kelly Caleche's is a tantalizingly subtle leather that I cannot help but wish was a little stronger. The Kelly Caleche ad with the young modern amazon decisively striding along carrying a whip would make us believe there will be audaciousness and gutsiness in the fragrance, but I found the reality of the scent to be less daring. This is a refined, restrained, ladylike perfume, certainly youthful, simply because of its surprising, smiling playfulness, but not so young and overly girly as to render it unappealing to anyone over the age of 20-25. Kelly Caleche is the kind of fragrance that seems to be as easily wearable and universally appealing as possible without being too bland. If I were allowed to rename the scent, I would call it Miss Hermes, as it fullfils all the requirements - classic structure, elegance, tiny bit of flirtiness- for being placed as the house's offering to its somewhat younger clientele. After premiering at the Wall St. store, Kelly Calèche will become available in Hermès’ boutique network in August, and in September it will be launched for global selective distribution.

Perfume Review: Hermes Paprika Brasil

“I search for subtility, presence, and transparence”, said Jean-Claude Ellena in the interview with Straight. There is a fine line between understated and bland; on the “right side” of the divide are the scents that are tantalizingly elusive, alluringly subtle, fascinatingly minimalist. Many of Ellena’s creations dwell in that rarified land of what Forbes has called “perfumer’s perfumes”. There you would find the delicate and bright Angelique Sous La Pluie, the subtle and surprisingly substantial L’Eau d’Hiver, the uncluttered and strangely concrete Terre d’Hermes. On the wrong side are fragrances, which are subtle and transparent but lack presence, which have the unfussy minimalist quality but no sparkle, no twist, no life…They possess an incomplete, abandoned feel of a draft. And that is, sadly, how Paprika Brasil smells on my skin, too subtle, flat and oddly unfinished. Paprika Brasil is the latest addition to the Hermessence collection of “olfactory poems”; it has notes of pimento, clove, paprika, iris, green leaves, reseda and ember wood (brazilwood, which was “such a large part of the exports and economy of the land that the country which sprang up in that part of the world took its name from them [brazilwood trees] and is now called Brazil. Wikipedia). The spicy notes bear a promise of a scent that is red-hot, fiery, supremely piquant, but Paprika Brasil is much more tame then what the presence of pimento, paprika and clove might suggest. It starts green and dry, making me think of twigs and indeed green leaves. A delicate spicy accord is woven into that greenness, it grows stronger as the scent develops but is always kept in check by the leaves and the wood and the cool earthiness of iris (which is very apparent on my skin). The spice that I smell here is mostly pimento and it is a beautiful note, crimson, dry and appealingly sharp; it saddens me that this attractive piquancy was not allowed to be more prominent. No, I don’t want a scent where other notes are overwhelmed by the spices, but neither do I like the idea of a scent where the spices are beaten into submission by the rather pale and unexciting rest of the ingredients. Dusty-green, too dry, too delicate, dull and fleeting, Paprika Brasil was a bitter disappointment for this fan of the other five scents in the Hermessence series. Paprika Brasil should be already available at Hermes boutiques, $180.00 for 100ml.

Perfume Review: Hermes Terre d'Hermes

Experience taught me that it is better not to have high hopes for new perfume releases, no matter how exciting their descriptions. I also know the danger of trying to foresee (foresmell?) the way an upcoming fragrance would actually smell. In reality, many new launches either can’t live up to one’s high expectations or are completely different from what one envisaged them to be. Terre d’Hermes turned out to be an exception to this Rule of Low Expectations in that it was as good as I hoped it would be and smelled more or less exactly as I imagined it would smell. I must add that, although marketed by Hermes as a masculine scent, Terre d’Hermes is most decidedly and delightfully unisex. Described as a “vegetable and mineral” fragrance, “made without animal by-products or musk”, Terre d’Hermes has a simple, uncluttered composition. On my skin all notes are apparent at once and stay that way from start to finish, and yet this lack of development does not make the scent seem uninteresting. I must also add that when I say “all notes”, I really mean the four that are most evident on my skin: grapefruit, vetiver, pepper and what I call an “earth” accord. The latter is a raw, rooty combination of cedar, benzoin and patchouli, but the blend is so smooth, it is hard to tell where the cedar ends and the patchouli begins; I perceive this combination as a single note evoking moist, clean, black soil and grey rounded stones that are cool to the touch. I have never been a big fan of grapefruit, especially in combination with pepper, but here it somehow works absolutely wonderfully. Grapefruit, vetiver and pepper balance and compliment each other, they are sparkly, spicy, they have a kick, they have a bite and yet they are also remarkably calm and serene. Chandler Burr assessed Terre d’Hermes perfectly when he called it “quietly remarkable”. The fragrance is simple and elegant, light yet somehow satisfyingly “substantial” all at the same time. Terre d’Hermes is the proof that, when done right, with subtlety and style, in other words, when done by Jean-Claude Ellena, less definitely becomes more. Says Pablo Neruda: “When I lived among the roots, They pleased me more than flowers did, And when I spoke to a stone, It rang like a bell.” Terre d’Hermes is available at Hermes.com, $90.00 for 3.3oz. *The first image is from Hermes.com, the second from istockphoto.com. *** An afterthought and further proof of the wonderfullness of Terre d'Hermes: seldom do we all agree so much on a perfume; for other very positive reviews of this scent, please read Bois de Jasmin, Now Smell This, Peppermint Patty and Scentzilla.

Perfume Review: Hermes Ambre Narguile

Ambre Narguile is a part of Hermèssence collection, an exclusive line of fragrances created for Hermès by Jean-Claude Ellena. Meant to evoke cashmere, it does indeed envelope the wearer in a warm, soft, luxurious embrace. The Narguile part of the name refers to a traditional Middle Eastern device for smoking, also known as a water pipe, narghile/arghileh, shisha, hookah, hubble-bubble, or kalian. It is a pipe with a long flexible tube connected to a container where the smoke is cooled by passing through water. The sweet, fruity and smoky shisha tobacco accord of Ambre Narguile is my favorite part of this wonderful scent. Apart from shisha tobacco, there are so many facets to Ambre Narguile. It is a fragrance that never stops developing. Never abrupt, the changes it undergoes are constant; because they are so subtle and nuanced, the changes are also very hard to describe. To depict the development of Ambre Narguile briefly and simplistically, it starts as a sweet, honeyed amber, acquires a deliciously smoky and at the same time caramel-like accord, attains a somewhat drier woody note, gets sweeter yet again, smelling amazingly like the Gerber Dutch Apple dessert consisting of apples and cinnamon that both my three year old and I like so much… Finally, the scent reaches that incredible, almost edible (and smokeable) stage of shisha tobacco that I find absolutely irresistible. It is a mouthwatering accord of amber, apples and tobacco, still sprinkled with a little bit of cinnamon. I absolutely agree with Chandler Burr in his assessment of this scent when he says that ”it is not merely the best; there is simply nothing like it on the market, period. And no one will ever do it as well again.” Ambre Narguile is one of the most delicious fragrances ever created, it is gourmand but not foody, sweet but not cloying, smoky but not overly so, centered around amber but much more complex then simply an amber-based scent. To quote Mr. Burr yet again, Ambre Narguile “warms the air. It renders you mouthwatering.” This delicious concoction can be purchased at Hermes boutiques either as a 100ml bottle (for, I believe, approximately $185.00), or as a part of a Discovery Set of four 15ml bottles (you can choose between Ambre Narguile, Poivre Samarcande, Vetiver Tonka, Rose Ikebana and Osmanthe Yunnan; the set costs about $125.00; correct me if I am wrong). *The painting is Narguile by Alberto Vargas. I will leave you with some more paintings featuring water-pipes. An Algerian and Her Slave by Ange Tissier Algerian Women in Their Apartment by Delacroix Caterpillar Smoking a Narguile by John Tenniel

Perfume Review: Hermes Osmanthe Yunnan

Osmanthe Yunnan, “inspired by a stroll through Beijing's Forbidden City”, is the fifth and newest scent in the Hermèssence Collection, created for Hermès by Jean-Claude Ellena. With notes of yunnan tea, orange, osmanthus, freesia, and apricot, this is a gentle scent of tea subtly infused with osmanthus and fruits. Having seen both apricot and osmanthus (which has a fruity-floral apricot-like aroma) among the notes, I was a little worried that Osmanthe Yunnan would be a little too heavy on apricot, a little too fruity. It is not. It is a tea scent first and foremost, to my nose, with fruity and floral notes only serving as a delicate, gauzy, summery background. Yunnan tea has an intense, thick taste; in Osmanthe Yunnan this almost-spicy richness of Yunnan tea is toned down; in its turn Yunnan tea accord lessens the potential sweetness of fruits and freesia. All that makes Osmanthe Yunnan one of the most understated, light and neutral fragrances I have ever tried. The only bright accord here is the freesia note that, on my skin, is among the top notes. It subsides very quickly however, and from then on the scent is a rather dry, transparent aroma of (mostly) tea and (to a much lesser extent) fruits. As the scent dries down, I can finally smell the orange note, but it is very quiet and muted. Osmanthe Yunnan would be great worn on very hot summer days or in situations and surroundings where scents with more oomph are frowned upon. I am not sure, however, that I am prepared to pay the price ($180.00 for 100ml) for the perfume that has this little presence. Perhaps I will finally purchase a Discovery Set of four 15ml Hermèssences and then I will include Osmanthe Yunnan as one of the choices ($125.00 for four 15ml bottles). Both full bottles and Discovery Sets are available exclusively in selected Hermès stores. *The photo of Golden Osmanthus is from nature.de.