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Friday, March 18, 2011

Xerjoff Modoc Perfume Review

By Marina

After I encountered Xerjoff's iris fragrance, Irisss, I decided that, along with Iris Silver Mist, it might be the most beautiful iris scent out there. Modoc gives Irisss run for its money. It is not a rival for Iris Silver Mist, because, to me, they come from two different iris "families". The family inhabited by Irisss, Modoc and scents like Delrae Mythique, Attrape-Coeur and Iris Poudre is "buttery" or "velvety" iris. The family of Iris Silver Mist, Hiris, Iris Pallida and Infusion d'Iris is "drier" and "silky". The first group speaks in hushed, husky tones, the second sings like silver bells. The "velvety" irises are, to me, what Luxury and Expensive smell like. The "silky" ones are what elves wear in Rivendale... Generally speaking, the velvety group is stylized, "perfumey", while the silky ones strike me as more "realistic". There are also woody irises, earthy and a couple of other types, but those are sub-groups. As you can see, I am ever so "scientific" about my irises.

On that note, I am going to evaluate Modoc according to the criteria I came up with before:

1. How strongly/recognizably orrisy does it smell? - Very. Modoc is built on the interplay of two rooty ingredients, iris and vetiver, with their harmonious interaction taking place on the plush background of amber and vanilla. It is the latter two accords that keep the rootiness/earthiness of the  star notes to a minimum, making them instead creamy, slightly powdery and extremely luxurious. Nothing wild about either vetiver or iris here, both are tres recherche. Vanilla, musk and amber highlight the buttery quality of orris. In comparison, vetiver is rather subdued, although it certainly contributes a certain "nutty" verdancy to the blend, keeping the opulent creaminess somewhat in check.
2. Is it more iris-orrisy or violet-orrisy? - Definitely iris-orrisy and should delight iris purists.
3. Is it woody or floral? - Leaning towards woody, but, again, not in any sort of "found in nature" manner.
4. Is it powdery? - Moderately so. Just enough to emphasize the fact that it is a Pefume, not a Smell, an elegantly executed interpretation of an iris, not a photographic image.
5. How expensive does it smell? - Not just profanely, but really offensively expensive. As it should, considering its cost.
Conclusion: Sublime. Rich. Quite original, due to the interesting interaction between orris and vetiver. There is something in its golden orrisiness that vaguely remindes me of Attrape-Coeur. And since, inexplicably and inexcusably, Guerlain discontinued the latter, Modoc might possibly become a welcome if costly consolation for the fans like me. I also have to mention that although Modoc is a part of the masculine Shooting Stars collection, there is nothing non-feminine about it. Despite being of the conviction that everything is unisex, I'd even venture to say that Modoc is for ladies if not only then mostly.

Available at Luckyscent, $295.00-$470.00, depending on the fanciness of the bottle.

Image source, Elle Canada.

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Wednesday, February 23, 2011

Xerjoff Shingl & a prize draw

By Marina

A gorgeous iris scent with an unfortunate name and a cold. There. My review is done. OK, fine, I will elaborate on the key points:

Name. The perfume is from Xerjoff's Shooting Stars collection, therefore, upon googling, I am guessing that the name might stand for Shingle Springs meteorite, Shingle Springs, El Dorado Co., California, a meteorite fall discovered in either 1869 or 1870 (source). I am guessing it was not meant to evoke "a viral infection that causes a painful rash" (source). But it does.

Iris, to me, is the dominant note in the composition. It emerges early, in the top notes, a couple of seconds after the heady mix of bergamot, basil, anise and rum hits the nasal passages with the smell uncannily similar to that Vicks VapoRub. Thus - iris with a cold.

Gorgeous
. Can a fragrance that makes one think of a couple of deseases at once be attractive? Apparently it can. I actually like the chilly, mentholated smell of Vicks, so that might be a reason. Another reason is the opulence of the orris accord in Shingl. Not unlike that in the sublime Iriss, it is so thick and buttery, you could cut it with a knife. It also smells warm, like the softest, most luxurious cashmere shawl. The contrast of the coldness of the "Vicks" accord and the warmth of orris is very appealing. Before now, I have only known of tuberose (see Tubereuse Criminelle) and gardenia (Volo Az 686) being treated, pun intended, in this manner. I like the fact that the juxtaposition can be felt from start to the very finish, even in the ambery, slightly vanillic base.

Shingl is quite possibly the most unique iris fragrance I have encountered, its weird beauty is something I'd urge you to experience for yourself. Besides, 'tis the season of congestions, wouldn't it be nice to replace the old rub with something this glamorous (and, yes, expensive) and get better in style? On that note, stay healthy, everybody!

Shingl is available at Luckyscent and Xerjoff, $345.00-$470.00.

If you would like to receive a set of 5 Xerjoff samples, say so in your comment. A commenter will be chosen at random.

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Thursday, September 16, 2010

Pretty, Pretty: Prada Infusion d'Iris

By Tom

Neiman Marcus is having their beauty event, where I stock up on Kiehls and come away with a (slightly tacky IMHO) tote and a bunch of samples. The 2007 release from Prada was the scent sample. I don't know what I was expecting since the Prada line of fashion I find rather severe and the nylon luggage I find laughably overpriced. Vuitton canvas is crazy expensive too, but it has some history.

The scent however is a winner: sweet, clean, powdery in the opening and warm woods in the drydown. I can't say that it's groundbreaking, or even that I would wear it myself since it's a little frilly on me but I can certainly see it as a lovely scent for late summer/ early fall when it's hot or an olfactory version of a full spectrum light-box for the winter blahs. A few splashes of this couldn't help but lift the spirits...

In various sizes from $65 for 1.6oz up to $360 for a whopping 25oz at Neiman Marcus, et al.

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Wednesday, December 23, 2009

3 Orrises

If the Magi's gifts were strictly fragrance ingredients, and the event of gift-bearing was taking place today, there would have to be some additions, reformulations and re-interpretations. It would go something like this: amber standing in for gold as a symbol of friendship (replacing kingship as not sufficiently egalitarian) frankincense as a symbol of non-denominational spirituality (in the name of political correctness), myrrh as a symbol of eternity (can't have death, too morbid), orris as a symbol of understated luxury and oud as a symbol of jumping on the bandwagon.

I will go all numerological on you, and "analyze" 3 recent orris scents on the basis of 5 super-objective and scientific criteria (in all seriousness, these are the questions which I am asking myself, when I am smelling an orris-themed perfume):
1. How strongly/recognizably orrisy does it smell?
2. Is it more iris-orrisy or violet-orrisy?
3. Is it woody or floral?
4. Is it powdery?
5. How expensive does it smell?
Cartier L'Heure Promise, from the brand's exclusive collection, Les Heures du Parfum.
1. How strongly/recognizably orrisy does it smell? - At first- fairly recognizably; the orris-ness dissipates in a couple of seconds to give way to the pastel-green, powdery-translucent floralcy in feeling not unlike that of Apres L'Ondee or L'Eau d'Hiver
2. Is it more iris-orrisy or violet-orrisy? - To me, it smells more like first violets might, probably before they even unfolded their petals.
3. Is it woody or floral? - Floral more than woody, but with distinct woodiness.
4. Is it powdery? - Somewhat, in a gauzy, delicate way.
5. How expensive does it smell? - Not particularly. It has the kind of simplicity about it, which, even though it, objectively speaking, might be complex and expensive to produce, does not make one (me) feel justified to spend a lot to buy it.
Conclusion: L'Heure Promise was to me the best of the Les Heures. Which is not saying that much, because, although all the scents have an elegant, quality feel, they fall rather flat for me and seem somehow like renditions of themes I've smelled many times before.

Van Cleef & Arpels Bois d'Iris, from yet another exclusive series, Collection Extraordinaire.
1. How strongly/recognizably orrisy does it smell? - Not very, in a sense that, for the sake of the concept, it chooses to focus on the woody aspect of the multi-faceted orris note, thus sacrificing other qualities.
2. Is it more iris-orrisy or violet-orrisy? - Neither. It is woody.
3. Is it woody or floral? -There are no flowers. The composition is all about wood, wood, labdanum, a touch of peppery incense and more wood.
4. Is it powdery? - It has a touch of powder, made of very, very finely grated wood.
5. How expensive does it smell? - Fairly. Because it appears to be choke-full of precious wood. Have I used the word "wood" enough times? Because this thing is woody!
Conclusion: I was not in any way excited by the fragrances in Collection Extraordinaire, and Bois d'Iris was no exception. Like its siblings, it is well done, but it is...boring, to me. As for the orris... if you are looking for a velvety yet dry, high quality woody perfume, go no further. If you are looking for orris, you might consider...

Irisss by Xerjoff, a new to me and molto lussuoso Italian line.
1. How strongly/recognizably orrisy does it smell? - Very. It is orris from start to, eventually, couple days later, because this thing lasts... finish
2. Is it more iris-orrisy or violet-orrisy? - Definitely iris-orrisy. Not in an earthy-natural, dry-silky way, in which Iris Pallida or Hiris are irisy. This perfume is creamy, velvety, substantial, perfumey, although not as perfumey as the aldehydic Iris Poudre.
3. Is it woody or floral? - It's both. It showcases well these two sides of orris/iris, choosing not to focus on the non-refined earthy side of it.
4. Is it powdery? - Yes. But not overwhelmingly so. The creaminess of ylang (I assume) and woods balances the powderiness.
5. How expensive does it smell? - Molto! The question to ask here, quoting Pretty Woman, would be, exactly how obscene an amount of money are we talking about? Just profane, or really offensive? And the answer would be, really offensive. Borderline New Russian and/or Real Housewife of Whatever offensive. There is a certain chic about this decadently luxurious composition, something in the refined floral note, perhaps, which does not let the scent overstep the border between Elegantly Expensive and Nouveau Riche, but only just about. Irisss is hanging by a well-groomed, glossy hair over the abyss of furs, 10-carat pink diamonds, Maybachs and Louis Vuitton logos.
Conclusion: Beautiful. Sumptuous. Long-lasting. Screams luxury. Costs €590.00 for 15ml or €1.625,00 in a fancy Murano flacon!.. Ouch. The price aside, however, this is the orris scent that I liked the most in the sea of orris scents from the last couple of years.

Image source, Xerjoff.

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Friday, June 05, 2009

Parfums Delrae Mythique: Perfume Review

In the last couple of years, iris perfumes have, in my humble opinion, over-saturated the market, turning the fairly precious ingredient into something ubiquitous and thus no longer exciting. Or maybe I simply never have been that much into iris, and after a couple (dozen) of releases I was done with the note. Mythique, Yann Vasnier's (not Michel Roudnitska's, thank you for correction!) new creation for DelRae revives my interest in all things orris.

Inspired by the legendary courtesan Diane de Poitiers, the scent is a simultaneously playful and classic take on iris. If you wanted a raw, "natural"-smelling orris, this is probably not the scent for you. This is a perfumey iris, imaginatively adorned with other ingredients and gallantly stylized. Totally suited for a courtesan in a way that the earthy-streamlined-realistic Iris Pallida is not.

I like the fresh, slightly sweet juiciness that citrus fruits in the top notes lend to iris, the note that fairly often tends to be quite dry. I love the rosy glow that peony puts on its ordinarily pale cheeks and the way jasmine highlights the sensual side of orris, a side not often enough brought up in iris perfumes. And I adore the way sandalwood, ambrette and patchouli create a leathery quality in the base of Mythique, giving its flirtaceous, vivaceous, girly femininity a dark, subversive depth. If Mythique had an ad campaign, it would be shot by Ellen Von Unwerth. If I had to compare Mythique to other iris scents, I would say that the rich, honeyed, again, perfumey way the note is interpreted here, made me think of the late and lameted L'Artisan Orchidee Blanche and Editions de Parfums Iris Poudre.

Right now Mythique is available at First in Fragrance, €145.00, or Les Senteurs, £110.00

Image, obviously, is by Ellen Von Unwerth. Yes, I know that it is stylized for an epoch later than Poitiers's, but it fits my impression of the fragrance.

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Monday, May 11, 2009

Hilde Soliani Il Vs Iris: Perfume Review

Il Vs Iris, the "I" in Soliani's TI AMO collection of floral fragrances (read the review of Tulipano, the "T", here) sneaked up on me with its quiet, understated, childish or better to say, kittenish charm. Although, I do smell iris in the very beginning, I would not recommend die-hard iris fans to look to Soliani's rendition for a fix. After the iris-like rooty floralcy goes away, and it goes away fast, one is left with very appealing woody greenness, evocative of a smell of freshly snapped young twig.

For a little while, there is something delicately peppery in this verdancy. This part of the composition reminds me vaguely both of the piquant freshness of Navegar and of green spiciness of Piment Brulant, although Il Vs Iris is much, much softer than either of the two. Gradually, the scent acquires a distinctly almondy undertone. At first I was puzzled by the origin of this subtly sweet nuttiness. The almond wasn't thick and saccharine enough to suggest an overdose of heliotrope. The note had pastel transparency...Then I read that the blend includes mimosa and it all made sense: there IS something almondy in the mimosa/acacia aroma, and the almondy quality feels lighter, fresher, airier than in the smell of heliotrope. Imagine mixing Mimosa Pour Moi with Jour de Fete, only make both significantly less sweet. Add to that the pepper of Navegar and Pimont Brulant...And although I make Il Vs Iris sound like a pastiche of L'Artisan creations, it is not.

With its initial earthiness and a distinct touch of spice, Il V Iris has something...I wouldn't dare say, animalic...but certain purring, feline grace. At the same time, its delicacy, its unripe greenness, its soft almondy undertone make it seem child-like. Like a heroine of a well-known song, it has a "gentle hand".

Available at New London Pharmacy, $75.00 for 50ml.

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Thursday, January 29, 2009

Frederic Malle L'Eau D'Hiver: Perfume Review


By Tom

Created in 2003 by Jean Claude Ellena and as sharp and clear as an icicle, D'Hiver is listed as having notes of heliotrope, iris and honey (according to Barney's). I also get bergamot in the opening and an overarching angelica. But mostly I get a sense of whiteness. Whiteness and coldness. As if you were sitting in a freshly painted white room looking out a picture window at a field of snow, perhaps with a television set in the background that's set to a station that's only static while wearing a white suit.

If it weren't so lovely it would seem almost stuntish it it's whiter-than-white aspect. I love it in winter, which in LA can get into the 80's (I know, hate me), but I really like it in the heat of summer where it's as refreshing as a cool bath.

Available at Barney's, $120 for 50ML

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Monday, June 05, 2006

Perfume Review: Dior Homme


This week Perfume Smellin’ Things will be focusing on “men’s” fragrances. I put “men’s” in quotation marks, because, as I have declared many times before, I consider masculine-feminine distiction in perfumery unnecessary and quite random. And in that I have the very authoritative backing of one of the greatest perfumers, Pierre Bourdon, who, when once asked what is the difference between a women’s a men’s scent, replied, Pour Homme written on a bottle. There are of course scents that are so “hairy-chested” and virile that I am unable to wear them (and wouldn’t want to smell them on a male of the species either), but then again, some of the “women’s” scents are so over-the-top buxom, heady, in your face, I-am-a-Woman-hear-me-roar feminine that they are just as unwearable for me. In other words, apparently I don’t deal very successfully with the extremes in perfumery, be they “masculine” or “feminine”.

And that brings me to today’s scent, Dior Homme, a wonderful example of moderation and understated elegance. Centered around an iris note, this fragrance is painted in subdued hues of beige-pink and grey. After the brief brightness of the top notes, which illustrate very well the in-between-two-worlds quality of lavender pointed out by Edwin Morris, who said that it is “a link between herbal notes and a decided floralcy”, the iris begins to flourish. This is a beautifully pale accord that makes me think both of the cool petals and the subtle rooty-ness of this flower. So as not to let the iris become completely ethereal and airy, as it is often prone to do, the perfumer, Olivier Polge, gracefully but firmly grounds it with the notes of amber, patchouli and vetiver, delicately sprinkles it with cocoa powder and, in the late drydown, completes the stylish composition with a hint of smoky leather. Supremely elegant, discreet, unfussy, sophisticated and neutral in the most positive sense of the word, Dior Homme is easy and a pleasure for me to wear and a delight to smell on a man. I must add that I find the direction, in which Hedi Slimane leads the men’s fragrance division of Dior to be admirable. The three colognes (Eau Noire,
Cologne Blanche and Bois d’Argent) and Dior Homme walk the line between classic and contemporary, subtle and full of character with commendable ease and style and to me are more interesting and desirable than many of the “women’s” releases, both Dior’s and other companies’.

Dior Homme is available at Scentiments, $33.89-$45.89.

Tomorrow, Habit Rouge by Guerlain.

Here are the links to my (and, in one case, Mr Colombina’s) reviews of some other “men’s” fragrances:

Annick Goutal
Duel

Caron
Yatagan

Christian Dior Bois d'Argent

Christian Dior Cologne Blanche

Creed Cuir de Russie

Guerlain Derby

Guerlain
L’Instant and L'Instant D'Un Ete Pour Homme

Guerlain
Vetiver and Vetiver Frozen

Hermes
Terre d'Hermes

Fresh Cannabis Santal

Le Labo
Vetiver 46

Les Parfums de Rosine
Rose d'Homme

Parfums d'Orsay Le Dandy


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Friday, October 07, 2005

Pinup No 2: Iris Poudre by Frederic Malle

The description on Frederic Malle site portrays Iris Poudre as a "raw classical beauty"; I respectfully disagree. Beauty- undoubtedly, classical- yes, perhaps more classical than modern, raw- not at all. For raw, rooty iris may I recommend you try Jean-Claude Ellena's Bois d'Iris. Iris Poudre is a pampered iris, grown in the most luxurious surroundings, a spoiled, coddled and cherished belle.

Iris Poudre is a warm, sweet, dark-golden scent; aldehydes don't bother me here at all, I will go so far as to say that they are practically a no-show, to my nose’s delight. I love the musk note in the drydown, it brings a hint of “animalic” to the whole composition, adding a certain sensuality and a risqué feel to what otherwise could have been a rather tame albeit imposing perfume. I must add that, despite the name, the fragrance is not powdery at all, on my skin.

Iris Poudre demands to be worn in cold weather, accessorized with cashmere (but of course!), or in any weather at all for a posh evening out. It may also deign to help you out and make you feel like you are comfortably sitting in the very lap of luxury, even if you are at the moment dressed in your old pajamas. Then again, it may not.

In an interview, Pierre Bourdon revealed that his favorite artistic style is the period between impressionism and fauvism, characterized by a balance between figurative interpretation and transcendental reality. I apologize to M. Bourdon for not perceiving his wonderful Iris Poudre as one of the paintings of that period. To me, this scent is an idealized version of what a beautiful woman should look like, a stunning pinup. To illustrate my point, please take a closer look at these paintings by Elvgren, Vargas and Runci. Each of those stunners looks the way Iris Poudre smells.



Iris Poudre is available from Editions de Parfum or Barneys, $160.00 for 100ml

*Painting No 1 - Suzette by Gil Elvgren; Painting No 2 – Beauty by Alberto Vargas; Painting No 3 – Sheer Delight by Edward Runci

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