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Saturday, May 12, 2012

Russian Saturday: Cuir de Russie Сhanel


By Alena



У кожаных ароматов очень широкий диапазон с двумя противоположностями на краях спектра: интеллектуальным и чувственным. Cuir de Russie Сhanel в разных концентрациях воплощает обе этих ипостаси. Из туалетной воды с годами чувственность испарилась.  В сухом остатке остались лишь страницы трудовой биографии. Русская кожа в духах – это фильм длиною в жизнь, лента ольфакторных кодов, разворачивающаяся во времени. Кадр за кадром.

Шитьем на туфельках из тончайшей кожи золотая нить фледоранжа сплетается с серебряной нитью бергамота.  Это туфли девочки, которая только учится ходить.  Кожа мягкая, светлая,  пахнет нежно и сладковато. Альдегиды на этой стадии едва узнаваемы. Нельзя ожидать от ребенка стройности походки.

Шаги становятся все уверенней, у туфель появляется небольшой каблук. Кожа становится плотнее, ровно настолько, чтобы держать форму. Куда она ходит в этих туфлях? Может быть даже на работу. Мы этого никогда не узнаем. Но это не так уж и важно. Главное не куда она ходит, а как: в аромате дорогого мыла и цветов, сдержанных, как и чувства, которые она демонстрирует на публике. От Русской кожи мне всегда хочется немного больше цветов.

Ослаблена узда, задернуты шторы. Руки слегка пахнут кожей брошенных на комод перчаток, следами розы, иланга и ириса и чем-то неопределенным, бесконечно нежным, чувственным.  Сuir de Russie  обладают удивительной протяженностью.  Духи лучше наносить рано утром, чтобы не обрывать их на середине повествования вечерним душем. А им есть что рассказать!

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Leather scents form quite a wide range, with two opposites at the opposite ends of the spectrum: intellectual and sensual. Cuir de Russie Сhanel in different concentrations embodies both of these hypostasis. Over the years sensuality evaporated off the EDT. The dry residue contains only pages of its old bio. Cuir de Russie in perfume is a lifelong movie, a tape of olfactory codes, unwinding over time. Scene after scene.

The golden thread of fleur d'orange intertwines with a silver thread of bergamot like an embroidery on shoes made of the finest leather. These shoes belong to a girl who is just learning to walk. Leather is soft, light,
and smells gently and sweet. Aldehydes at this stage are barely recognizable. You cannot expect the harmony of gait from a child.

Steps become more confident, shoes acquire a small heel. The leather becomes denser, just enough to keep up the shape. Where does she walks in these shoes? Maybe even to work. We will never know. But this isn't
that important. What important is not where does she walk, but how: in an aroma of an expensive soap and flowers, restrained, as are the emotions she shows in public. From Cuir de Russie I always want a little more flowers.

The bridle is loosened, curtains are drawn. Hands smell slightly of leather gloves thrown on a commode, traces of rose, ylang and iris, and something uncertain, indefinitely delicate and sensual. Cuir de Russie possesses a surprisingly long extent. The perfume is better to be applied early in the morning, so as not to break its story in the middle by the evening shower. And it definitely has a story to tell!

Cuir de Russie Сhanel (Ernest Beaux, 1924/Jacques Polge, 1983): orange blossom, bergamot, mandarin, sage, iris, jasmine, rose, ylang-ylang, cedarwood, vetiver, styrax, leather, amber and vanilla.

Vintage ad is from Votre Beauté, november 1936

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Thursday, February 10, 2011

Mushrooms Haute Couture: DSH Cuir et Champignon

By Marina

Cuir et Champignon starts wonderfully dirty and ends amazingly elegant. There is an expression in Russian, iz gryazi da v knyazi (из грязи да в князи), from dirt to knezes, from rags to riches. In the case of Cuir et Champignon, it's not so much a tale of Cinderella marrying well. The composition transports the wearer from literal dirt of the forest floor into the most fashionable of homes. How about this...A wood nymph escapes to Paris and becomes a style icon, a muse to a famous couturier...

The graceful subtlety of the blend is rather unexpected in a perfume that is about leather and mushrooms. I imagined a scent very tarry and very dirty and wasn't prepared to meet instead this exquisite creature with cinched waist in a style of 1940s. Having said that, "subtle" in this case is more of a reflection of an elegant structure of the well-balanced composition, not of the intensity of the star notes. Lovers of leather will be satisfied with the accord's unmistakable presence, from start to finish of the development. Fans of earthy scents will be delighted to know that under the exquisite veneer the nymph is as wild as ever. Melusine had a serpent's tail; this one is hiding roots...

Mushroom-seekers like me (there are some out there, aren't there?) should be thrilled to smell quite a lot of cepes absolute alongside the leather. The pairing is genius. Mushrooms lend leather a vegetal instead of animalic undertone (although there is some of that too, with civet in the base), making it dirty in a new and unique way. And the leather turns raw and rustic mushrooms into a Perfume...and Haute Couture.

Available at Dawn Spencer Hurwitz's Parfum des Baux Arts and Indiescents, $22.00-$100.00, depending on the size.

Image source, Rodney Smith
.

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Tuesday, November 30, 2010

Adventures with Magic Mushrooms: DSH Perfumes Cuir et Champignon

By Donna

As the regular readers of this blog may remember, I am a big fan of the fragrance creations of Dawn Spencer Hurwitz of DSH Perfumes. Her range is enviably broad, and she has the unique perspective of a talented visual artist, which has resulted in some truly innovative fusions of scent and color concepts. One of her talents is making fully realized perfumes using all-natural ingredients, although you would never miss the synthetics even if you already knew about that.

Now she has released yet another eagerly anticipated perfume that is different from anything I have ever smelled before – Cuir et Champignon, leather and mushroom. That's it – no sweetness at all except for a fleeting breath of forest aroma before it goes on the skin, then it quickly develops into a salty, savory, brothy blend of soft leather and very earthy mushroom. The mushroom note dominates at first, and then gradually the leather joins it as it softens down. In fact it is the saltiest perfume I have ever smelled; it leaves TDC's Sel de Vetiver in the dust in that respect, and Womanity by Thierry Mugler only allows a fleeting glimpse of its much-vaunted caviar note before it's buried in sugary sweetness, which was a disappointment for me. Cuir et Champignon has an almost meaty “taste” to it, which is the flavor called Umami, borrowed from the Japanese language, and it does take some adjustment to think of it as perfume, especially at first before the leather kicks in. I enjoyed wearing it by itself, when it eventually dried down to smooth leather and loamy earth, but the other notes listed never really developed on me – of course it's not all mushroom and leather, it has things like bergamot, clary sage, galbanum, chamomile, clove bud, honey, gardenia, sandalwood, tuberose, castoreum, civet, vetiver, guaic wood, cedar and tobacco. I didn't get these very much, because on my skin it's just mostly mushroom; that cépes absolute is mighty powerful stuff.

So anyway, I decided to try layering it with some other perfumes to see what would happen. I do not normally do much with perfume combining and it's usually an accident when it happens; if I forget that I put on something really persistent in the evening and then apply something else in the morning, I get a surprise. I generally go with the idea that the perfumer knew what they were doing and who am I to mess around with the delicate balance, but in this case I could not resist. Since Cuir et Champignon is salty, savory and earthy, I thought it would be perfect for toning down perfume that's a little (or a lot) too sweet or loud. Whatever I chose would need to have a strong character of its own to stand up to the cépes and have some compatible notes. I hit upon the idea of pairing it with some big-haired Eighties fragrances, and into my hopelessly disorganized jumbled eclectic stash I went to find some candidates.

My first experiment was conducted with the original Salvador Dali woman’s perfume from 1983, the one in the “lips” bottle with a white frosted “nose” cap. It's a floral/woody/ambery Oriental with a pleasing softness to it, but really very sweet, kind of like a slightly less extroverted Bijan for Women. Well, putting these two together was alchemy indeed, because I got something that had the firepower of the old Lanvin My Sin (remember, there is civet in Cuir et Champignon) while toning down the rather syrupy aspect of the Dali. (I found out that Alberto Morillas did that one, not exactly the style he is known for now but it makes me admire him even more.) Okay, I was really on to something here.

Next up, Aubusson's Désirade from 1990 – technically still in the Eighties and certainly in the style of the time, it's an Oriental perfume with pineapple, cassia, tuberose, osmanthus, lots of vanilla, opoponax, musk – you get the idea, big and bright and retro. It's something I love to wear at home or out, but never to the office, it's just too much. I tamed her with the mushrooms and the result actually reminded me of a Guerlain, an echo of Cuir Béluga with its leather note softened by heliotrope and vanilla. Now I don't have to spring for the Guerlain if I get the craving for it, I just need to keep these other two handy.

Then I got another wild idea – if Eighties perfumes can be quieted down this way, why not go even older and try it with an actual Guerlain? So I tried it out with my pre-reformulation Shalimar Parfum de Toilette. Oh yeah, baby! It made the grande dame even smokier and even a bit feral, and I got a little shadow of melancholy L' Heure Bleue action going on. Now I love Shalimar, but sometimes it gets too sweet on me, many things do; if there is any sweetness in a fragrance my skin will amp it up and throw it out there like radio waves. (I usually like it when that happens but sometimes I have to try to be civilized around other people and I can't fly my fragrance freak flag.) After blending Shalimar with the mushroom scent I think I will have to try it with Lonestar Memories or some other smoky, tarry thing with no discernible sugary notes and see what happens.

At this point my mind wandered into truly twisted territory. What if I mixed this earthy, humusy forest floor scent with something else that's also devoid of “feminine” character? What would happen if there was no vanilla or Tonka, no caramel or syrup to subdue? I thought about that for a while, and then it hit me: Miss Balmain, the most misunderstood of all chypre scents, dry and austere, a stiletto-heeled librarian forever in the shadow of her femme fatale sister Jolie Madame. I am happy to report that this was also a success. The truly magical combination coaxed some fragile blossoms out of Miss Balmain's steely heart and softened her up without adding anything remotely girly to her demeanor, while adding a green depth that seemed like it was meant to be, perhaps restoring what was lost in translation when Balmain started reformulating its fragrance line. (My bottle is pre-IFRA nonsense but not the original formula.) I felt like a genius after that experiment.

Finally, I came full circle and pondered if anything else in the DSH line would be a good foil for Cuir et Champignon. With such a wide range from which to choose, surely something would be suitable. I chose her very popular Cimabue, which is an intensely spicy and saffron-rich concoction that I did not quite get along with in the alcohol-based version but which I swooned over in the oil concentration, which is what I used for the layering. Well, it actually worked pretty well, adding an unexpected fresh note to the spices and taking the sweetness down several notches, which in turn shone a spotlight on the saffron and cistus at the expense of the sweeter ingredients. Cimabue is already a favorite with men, and I can imagine that they might be interested in an alternate way to wear it.

My conclusion was that this is really two perfumes in one. For those who want to wear it by itself, it becomes an earthy skin scent with little to no sweetness and decent longevity. It also shines as a way to tame the high notes of fragrances that could use a bit of smoothing out to make them more wearable while not obscuring their better qualities. It is a limited edition fragrance sold only at the DSH Perfumes Web site. One ounce of Eau de Parfum, which is what my sample is, is $100, and a one dram roller ball vial of the oil is $55; I can't even imagine how intense that must be! (Smaller sizes and a $4.00 sample vial are also available.) My small sample vial was sent to me by DSH for review purposes.

Image credit: Ceramic “Magic Mushrooms” from love♥janine's Flickr photostream via Creative Commons license, some rights reserved.By Donna

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Thursday, August 19, 2010

There is Nothing Like a Dame...Lancome Cuir Vintage and re-issue


By Tom

Perfume people are so wonderful. A while ago a kind benefactress sent me a few samples, in which were some of the vintage Lancome Cuir and of the recent (also apparently discontinued) reissue.

The reissue is a perfectly nice, ladylike little thing that came out in 2007. It's leather with a whisper of white flowers and powder. I find it oddly more elderly than the rip-roaring original. While the original Cuir isn't going to be mistaken for anything that came out last week, it's certainly far more daring than it's modern counterpart. The original is a full-figured gal in a beaded dress who just as apt to knock back a neat scotch as to knock you flat if you get out of line. Stay in line however, and...

The reissue is a buttoned-up lady in a severe suit who is apt to snap the clasp of her clutch shut and make sure you're blackballed from the club if you get out of line.

Guess which dame I want to spend time with. Or be. I can't write it better than Colombina: "Let the dead stay honorably dead rather that resuscitating them into politically correct shadows of their former striking selves."

The reissue is available on the internets at places like Amazon for less than $40, which is a great price. If you need a ladylike leather I say go for it. The vintage isn't available apparently for love nor money and that is truly sad.

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Monday, February 16, 2009

Brooklyn by Bond No 9: Perfume Review

I am no expert on Brooklyn the borough, apart from a vague notion of it being a Russian Diaspora neighborhood, so I will just choose to rely on Bond No 9's cultural, demographic and real estate experts in their description of Brooklyn as a home to "a new generation of artistic émigrés". Apparently, "this is where the artists and musicians choose to move. It’s home to graffiti-ists [thus the bottle], gaffers, and key grips, to web designers and aspiring editors. This is where fashion stylists live. New York-bound hip-and-cool Seattle-ites prefer to move to Brooklyn; smart Stockholmers book their hotel rooms here."( from the press release)

Is Brooklyn the perfume hip-and-cool enough to evoke the artistic and happening borough? Perhaps in a sense that it is not classically masculine nor reminiscent of any older perfume, apart from, vaguely, Bond No 9's own fairly recent West Broadway. This kind of unisexy, understated, non-macho masculinity is the fashion of the moment, so in that sense, I suppose, the scent is in fact trendy. I said it before and I will say it again, I do like a lot this non-obvious, quiet, shall I say, "sensitive" masculine tendency. I also like when scents for men utilize traditionally feminine notes, like fruits, which I for some reason keep smelling in the top notes of Brooklyn. I would swear there are apples here...or rather, given the fizzy juniper note and sparkly grapefruit, some kind of apple cocktail. And boozy scents are invariably a hit with me. As are leathery one; and Brooklyn has that in spades in its base. Dry, spicy leather amplified by the woody-leathery guaiac note. I would not go anywhere near as far as Bond No. 9 people and claim that Brooklyn is "on the cutting-edge of perfumery". There is cutting edge, there is Brooklyn and there are many stops on the 5 express train separating the two. But it is a handsome, elegant, versatile and very wearable (for both genders) fragrance.

Available in March at Bond No. 9’s boutiques and Saks, $145.00-$220.00.

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Friday, January 23, 2009

Comme des Garcons 2 Man: Perfume Review

Comme des Garcons 2 Man does not make a perfect gift for a male who always has to be No. 1. Especially the kind that is prone to paranoia reading too much into things. Because he will ask you as if jokingly, so I am Second, am I? And then you will have to explain at length how it is a masculine follow-up to Comme des Garcons 2, and thus 2 MAN, how its incense, spice and leather blend is a perfect match to his tastes and brooding personality, and how he is, of course, your absolute, total, utter No. 1 in each and every way. Just trust me on this and do not give 2 Man to a Type A Personality individual. Give him I Am King instead.

In fact, disregard the fact that 2 Man, with its trademark Mark Buxton resinous darkness, with its spicy sensuality, with its very-bad-boy vibe, smells amazing on that débile of yours, more amazing maybe than even Gucci Pour Homme (and that is saying a lot!)...so amazing that it makes your knees week...disregard that and take away the bottle and use it yourself. Because as gorgeously masculine and forceful 2 Man is, it is absolutely wearable for a woman. The sweet piquancy of saffron and nutmeg is delectable here; the spices are a ray of golden light in the pitch-black abyss of leather and incense. That smoky leather, powerful as it seems at first, actually melts into the skin, becomes the skin...it might quite easily be the sexiest accord in all masculine perfumery. Forget what I said about taking the bottle away. SHARE 2 Man with the No. 1 Man in your life. Sharing perfume is a sensual experience and brings you closer together.

On that Dr. Phil-worthy note...look for 2 Man at Luckyscent, $95.00-$125.00.

Image source, lundlund.com.

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Thursday, January 15, 2009

Meandering...Indult Reve en Cuir

By Tom

"Winter" in Los Angeles is a weird bird. Wild swings (or what we think of as wild being the hot-house flowers we are) of weather are the norms. This week we've gone from rainy Monday through foggy and low 40's Wednesday to Santa Ana's and 80's ever the weekend. I'm not just mentioning this to rub in this fact to people who are having snow. Really. It means that this week I could test the new Luckyscent Indult in everything but sub-tropical Amazon or Antarctic chill.

Reve en Cuir was created by noted perfumer Francis Kurkdjian, with notes of Bergamot, Lemon, Cardamom, Oregano, Clove Bud, Texan Cedarwood, Patchouli, Oak Moss, Haitian Vetyver, Crystallized Vanilla (from the Luckyscent website. The website writes of the scent of having a "rich, indolent feel", and no less than Chandler Burr gives it five stars . At the risk of sounding like a peasant. I don't get it. It's nice. It's pleasant. It's very well done. It's very low-key. I don't see rich or indolent. I don't see elegant earthy qualities or dangerous anything. I frankly don't even get that much leather; it's a vague memory rather than a dream, like remembering a long-ago touch of an expensively gloved hand. It's very, very nice, and very, very not me. It's well put together, subtle to the point of being self-effacing and an epitome of quiet good taste. Were it $100, I'd be thrilled. In this economy, at $250 for 50ML, it seems like a Buick of a scent at a Bentley price.

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Monday, July 14, 2008

Perfume Review - Creed Royal English Leather

By Beth

I love my husband. To me he is one of the sexiest men alive and I’ve always felt that way about him even after 28 years. He’s quite attractive in what my mother calls a “British sort of way” and he looks marvelous in a kilt. He doesn’t wear his kilt with all of the pomp and nonsense, he wears it with a blue Irish wool sweater and looks as if he’s walked right out of the Highlands. He is quite formal about his tux though and it must be double breasted. His very thick hair is gray in all of the right places and long enough for me to play with. There’s always been something about him that seemed timeless, of another place where men were a bit more dignified and by contrast much more bawdy, when men wore their hair long and wavy and they weren’t at all afraid to wear velvet and a bit of lace with their leather. He used to ride my stallion bareback with only a halter for control. I can easily picture him with a saber and a pistol although now the only weapons that he brandishes are purely raw courage, a rich and sarcastic sense of humor and his lightning quick intellect. On the softer side, he cried the day that I married him and has been a perfect father to our son. He got down on one knee and asked me to remarry him in front of my whole family and our friends two Christmases ago. He is loyal to the point of obsession and very passionate. He is warm in the autumn and always smells to me like fresh windfall apples and very good cigars. He never kisses and tells. He is the perfect gentleman, quiet and powerful in the boardroom and........

He has never worn a fragrance because we have never found one that suited such a spectacular sort of man. But, one day about a month ago I found myself standing at the Creed counter at Saks Fifth Avenue, looking for yet another Lily of the Valley fragrance. Tia, the absolutely fabulous Creed SA was trying in vain to find one for me and was generously proffering me with lots of samples in the hopes that I might yet again fall in love. It was then that I noticed an absolutely gorgeous amber vial filled with a golden elixir, understated yet intriguing, coolly beckoning me closer. I read the label, Royal English Leather. “Hmm” , I thought, “maybe I could love this”, being one that has had more indecent fantasies of romps with royalty then you could even begin to imagine. Then , I sniffed. When they picked me up off of the floor, they told me that I had fainted dead away in something like an orgasmic swoon, whispering Byronic inspired prose.

What I remembered when I came to was a beautiful meadow , gorgeous dappled bay horses with ribbons in their manes, beautiful, naked young men clothed only in flowing long hair with lutes and the soft strands of Scarborough Fair playing through my memory. My husband was there, quite naked as well. I won’t go any further, I told you that I have very indecent fantasies!

Yet, through the haze of my all too vivid imagination there was something familiar stirring. My cell phone was ringing, bringing me sadly back to this century. Fortunately, it was Jim inviting me to meet him for lunch at Nordstrom's. I quickly sprayed some of the Royal English Leather on my wrists, steadied myself and went to meet him. After commenting on my pale and wanton visage, he cocked his head and asked to smell my wrist. He took a deep breath and kissed it as if he would have liked to bite. “Hmm” he said, “I want you to go buy that right now”.

Royal English Leather is one of the oldest fragrances still being produced having been commissioned by King Charles III. It is a romantic fragrance filled with leather, mandarin and ambergris. It smells of tobacco and the sweat of a magnificent horse. It is totally classy yet filled with skank. Every time my husband wears it I become weak in the knees which he must not mind because he’s been wearing it everyday. Such pleasure from such a simple little thing. The one time I tried to wear it I was informed that I wasn’t allowed to touch it. Torture.

Creed Royal English Leather can be found easily online, definitely at Saks Fifth Avenue and many other wonderful stores. Try it and see if you don’t enjoy the Jacobean fantasies it produces, but please be sure to not let go of the counter!

Photo from the Creed US Homepage.

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Wednesday, July 09, 2008

Perfume Review: Molinard Habanita

To very much paraphrase the famous saying of Albert Camus, in the midst of summer, I suddenly felt a chill of inevitable winter...and longed for comfort. Or more specifically, for a comfort scent. Not a fluffy one to temporarily cuddle the stressed mind, because temporary measures just would not do...not a serene one, to soothingly whisper that everything passes, because I don't believe in that...not a gloomy one that would agree with me that life is absurd and not worth the effort...I need an I Can Get Through It comfort scent, an empowering comfort scent, an olfactory companion which would assure me that nothing is impossible and that I can do it all.

Enter Habanita. She with the voice made husky by smoking all that tobacco, with a white flower defiantly and alluringly stuck in her pitch-dark hair and a warm, generous, sweet heart. To get through to the true essence of Habanita, her layers must be peeled of, one by one. First the tobacco leaves, with their sweet and smoky, enthralling fragrance. Then the white petals of ylang-ylang and orange blossom, a charming touch of femininity in a composition that otherwise might have been seen as totally masculine. Then the delectable, creamy blend of vanilla, heliotrope and orris, which is like a layer of dark-golden nougat ...You get through the defensive nonchalance of smokiness and the seductive floral femininity, you are made to believe that the gourmand softness of vanilla will be the end. You think you understand Habanita: underneath her sultry interior she is vulnerable, almost child-like. You bite into the golden nougat, and there, hidden in the sweet fluffiness, lies the core of leather. And it is that dark, tough, unbreakable, unyielding core that makes Habanita such a perfect companion for when the going gets tough.

"I am a Daruma doll, a legless toy endlessly poked and pushed, but finally regaining it balance, assured by an inner balancing pin (but what is my balancing pin? The force of Love?). This is what we are told by a folk poem wihch accompanies these Japanese dolls:
Such is life,
Falling over seven times,
And getting up eight."

(Roland Barthes, A Lover's Discourse)

Habanita can be found in a variety of sizes and concentrations, from $24.99 for EDT at Scentiments to $295 for Perfume at Aedes.

The image is by Jacques Olivar.

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Friday, May 16, 2008

Etat Libre d'Orange Tom of Finland

By Tom

Etat Libre is an niche house with scents that range from raw and interesting to raw and unwearable. Their latest is an eponymous one commissioned by the Tom of Finland Foundation to help mark, well whatever. In any case I was very much looking to try it, since the notes of leather, tonka, vetiver and musks seem right up my dark alley (this dramatic device, for the uninitiated is called "foreshadowing").

The opening has a wild whisper of dark booziness to it, like the ghost of a shot of Jack Daniels, neat. A metallic rubberiness quickly joins in followed by a leather smell that smells a lot like the inside of the sort of boutique that used to be on Christopher Street or Santa Monica Boulevard before gentrification made them both become the be-Starbucksed, family-friendly, anodyne-gay boulevards they are today. There's a doublemint freshness to this that cuts the vague S/M aspect until the whole thing sort of collapses into a very wearable skin scent with a slight edge of leather.

As much as I hate to disagree with Patty I am left fairly unmoved by this one. Compared to other scents with the same notes it seems, well timid. For a scent that's supposed to evoke the whole leather-dude ethos Patchouli 24, Eau de Fier, Kolnisch Juchten or even for that matter Tabac Blond does this far more definitely. Do I hate it? No, it's quite nice. If it was reasonably priced and showed up at luckyscent, I might pop for a bottle.

I know that this was commissioned by the Tom of Finland foundation and that one has to be 21 or over to buy due to the outre graphics involved, but I have to ask, for whom is this intended? Real leathermen wouldn't be caught dead wearing anti-perspirant much less than something as nelly as cologne (don't ask how I know, just trust me on this), so why this wan juice for such provocative packaging? I think the boys in the Marais are going to sniff Secretions Magnifiques and think that it should be in the bottle with the hunky guy in the chaps instead of this, which could be titled "Ghosts of MePa".

I mean I like it, but at least on me it's way more Tom's of Maine than Tom of Finland...

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Monday, June 18, 2007

Perfume Review: Hermes Kelly Caleche

On Thursday, Kelly Caleche, the latest release from Hermes, will be unveiled for an exclusive preview at the new Hermès boutique on Wall Street. Created by Jean-Claude Ellena, the scent pays homage to the famous Kelly bag and Calèche, one of the first fragrances released by the house. You know how excited I was when I first heard about the upcoming launch of Kelly Caleche. Floral-leather is my kind of thing, Hermes is the house I adore and Ellena is the perfumer I highly respect. Kelly Caleche is not what I hoped, but neither it is what I feared. It is what in the rational corner of my excitable mind I expected it to be, an elegant, tolerably youthful, understated scent with tasteful hints rather than barbarically generous doses of leather.

The beginning playfully slapped me on the nose with an unexpected note of grapefruit. Before I could collect my wits and protest (I am not friendly with grapefruit), the citrusy explosion dissipated into a floral accord of commendable complexity. Kelly Caleche is full of nuances, all of them very subtle. The flowers are done in transparent soft hues and they mesh into a delicate harmony, in which it seems almost impossible to distinguish separate notes ...until suddenly a cold, rooty iris peaks through the pastel mist only to disappear just as quickly ...then a softly-powdery, vaguely gourmand, green and yellow mimosa comes forth and almost immediately goes away ...a sweet, sparkly rose pops up once in a while and hides again ...and thus on and on ...flowers playing games, teasing me. The one note that spends most of its time in hiding is leather. During the first two-thirds of the scent's development, there is not even a hint of the note, and nothing in the gentle and whimsical floral blend seems to herald its arrival. Eventually leather tip-toes in and inconspicuously positions its well-mannered self behind the gauzy flowers. In accordance with the general feel of toned down elegance of the composition, the leather note speaks in a quiet, soft voice, and one has to strain to hear it. The note makes me think not of an expensive leather bag but rather of a trace of smell that the handle of such a bag would leave on one's skin. Kelly Caleche's is a tantalizingly subtle leather that I cannot help but wish was a little stronger.

The Kelly Caleche ad with the young modern amazon decisively striding along carrying a whip would make us believe there will be audaciousness and gutsiness in the fragrance, but I found the reality of the scent to be less daring. This is a refined, restrained, ladylike perfume, certainly youthful, simply because of its surprising, smiling playfulness, but not so young and overly girly as to render it unappealing to anyone over the age of 20-25. Kelly Caleche is the kind of fragrance that seems to be as easily wearable and universally appealing as possible without being too bland. If I were allowed to rename the scent, I would call it Miss Hermes, as it fullfils all the requirements - classic structure, elegance, tiny bit of flirtiness- for being placed as the house's offering to its somewhat younger clientele.

After premiering at the Wall St. store, Kelly Calèche will become available in Hermès’ boutique network in August, and in September it will be launched for global selective distribution.

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Wednesday, January 31, 2007

Perfume Review: Parfumerie Generale Psychotrope

Psychotrope is a perfume created by Parfumerie Generale exclusively for a store in Moscow, called Aromateka. It is described as a leather-jasmine scent and has notes of cyclamen, violet, “dark jasmine”, lilac wood, black leather and musk... The inspiration for a fragrance came from a vision of a flower with leather petals, dark, strange, intoxicating. Although I do not perceive Psychotrope as dark, I think that the image is very fitting. If a leather flower existed in some odd and elegant parallel universe, that’s how it would smell. The color of that flower would be silver (think the color of Chloe’s silver Paddington bag)…

The beginning of Psychotrope is green, or rather floral-green (unopened white flowers and grass on a cold spring morning, dew glistening on the leaves) and fairly aquatic. Those familiar with Creed Cuir de Russie and S-Perfume S-ex would recognize the salty-watery smell that I loosely called “aquatic” and that, in Psychotrope, heralds the arrival of the leather. Just like there are no flowers with leather petals, there is no transparent leather, but in the strange world of Psychotrope anything is possible, and so I will say that the leather note in this fragrance smells transparent. Shimmering, silvery-grey transparent leather perfumed with the honeyed aroma of virginal-white jasmine. The scent grows somewhat sweeter and darker as it progresses, the flowers become more apparent and the leather acquires a cold kind of smokiness. The salty-watery accord that was distinct in the beginning becomes fainter, but it is still there, still enhancing the illusion of transparency and freshness. I am sure you know by now that I am NOT a fan of marine scents, but here the note is actually enjoyable, not to mention functional. Apart from creating the effect of translucency, it also provides a twist, an unexpected little something that I always love in perfumes.

Often, in Pierre Guillaume’s creations, this twist is achieved by adding a surprisingly gourmand undertone to the composition. Psychotrope is one of the few Parfumerie Generale scents that completely lack even a slightest hint of gourmand. It is an elegant perfume, edgy (just the right amount of "edgy", not too much) and aloof, enigmatic in a cold rather than sultry sort of way. I think of it as “Grace Kelly for the 2000s”, dressed in Comme des Garcons rather than Dior garments. I liked Psychotrope very much and would love to own a bottle.

If I understand correctly, Psychotrope will be available starting in February, in Aromateka in Moscow.

Ароматека
Москва, Галерея ZAR, Рублевское шоссе, д. 42, стр. 1
тел.: +7 (495) 509-7287

Aromateka
Moscow, Gallery ZAR, Rublyovskoe Avenue, 42/1

I am not sure whether it is possible to buy this scent directly from Parfumerie Generale. If you find out more, please share the info!

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Thursday, October 20, 2005

Bandit by Robert Piguet

I am at heart a gentleman.
Marlene Dietrich



Bandit is another Piguet scent that for me has always been associated with Marlene Dietrich; whenever I smell it, I see Dietrich in her trademark suit, with a cigarette-holder casually and elegantly smouldering in her hand. According to Jan Moran, this scent was in fact one of the star’s favorites; Dietrich had the kind of confidence and insouciance that must have made fragrances like Fracas, Bandit and Tabac Blonde seem absolutely stunning and natural on her.

In my opinion, Bandit requires even more flair and chic from its wearer than its sibling Fracas and it is not an easy scent for me to wear. The beginning is harsh and potent, mostly a smoky and viciously green galbanum with a vague citrus accord hidden somewhere within that smoke, however, the scent subsides, it is quite shocking, how it changes and becomes much quieter. Within five minutes or so after the application, Bandit is an elegant, refined fragrance with notes of peppery rose and green jasmine, with the leather note being just sharp enough to keep the scent true to its provocative name. The drydown is moss-green and animalic and très sensuel; it is perhaps my favourite part of the fragrance. There must be some magic in both Piguet scents to make me like them as much as I do; apart from Fracas and Bandit I don’t really “do” heady white florals and chypres.

Bandit is a stunning scent, the one that works exceptionally well when one is dressed especially sharp and is in a mood to act rather aloof. Chanel said, "elegance is refusal", and that describes Bandit perfectly to me; it is an elegant perfume that says No.

Bandit is available at Nordstom Online, $65.00-$190.00

Tomorrow, Greta Garbo and Le Parfum de Therese

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Saturday, September 10, 2005

Leather Scents Directory - R to Z

Scents that feature a leather note. In some, like Cuir de Russie or Cuir Mauresque, it will be a central, most prominent note, in some, like Coco or Chergui, it will be in a supporting role in the composition. Fragrances with a “suede” note are also included in the directory. The list incorporates vintage and discontinued scents as well as the reformulations and new releases. The directory is a work in progress. Suggestions of more scents and your feedback are appreciated. Also view Leather Scents Directory - A to H and Leather Scents Directory - I to Q.



Ralph Lauren
Chaps
Polo (orginal, “green”)
Safari for Men

Rance
Le Vainqueur

Raphael
Replique

Regine’s
Jimmy’s

Revlon
Braggi
That Man

Revson
Ciara

Richemont
Garbo Pour Homme

Roberre
Noir

Roberta di Camerino
L’Altro Uomo

Roberto Cavalli
Man

Robert Piguet
Bandit
Cravache

Rochas
Femme
Globe
Macassar

Roget & Gallet
L’Homme

Rothshild
Rothshild

Salvador Dali
Salvador Dali Para Hombre (“black lips” bottle)

Sans Soucis
Derringer
Man
Semiramis

Santa Maria Novella
Nostalgia
Peau d'Espagne

Scannon
Kanon

Schiaparelli
Shocking You
Snuff

Serge Lutens
Chergui
Cuir Mauresque
Daim Blond
Fumerie Turque

Sergio Soldano
Sergio Soldano For Men
Sergio Soldano For Men White

Sergio Tacchini
Sergio Tacchini

Shiseido
Auslese
Koto
Murasaki
Paradigm
Vintage

Sirpea
Basile Uomo
Basile Uomo Forte

Sonya Rykiel
Woman (Not For Men)

S-Perfume
S-ex

Strange Invisible Perfumes
Black Rosette

Susan D. Owens
Heir

Ted Lapidus
Envol
Ted
Vu

Thierry Mugler
Atelier Grimal (Perfume Le Coffret)

Torero
Spanisch Juchten

Tristano Onofri
Tristano

Truefitt & Hill
Spanish Leather

Trussardi
Donna
Light Men
Uomo

Ulrich Lang New York
Anvers

Van Cleef & Arpels
Tsar
Van Cleef & Arpels

Veejaga
Hascish Homme

Venet
Eau de Monsieur

Vera Wang
Vera Wang for Men

Verfaille
Grain de Folie

Versace
Gianni Versace
L’Homme

Victor
Mahe Off Shore
Wall Street

Viktor & Rolf
Antidote

VIP Room
Signature

Vivienne Westwood
Anglomania

Weil
Antilope
Gentilhomme
Kipling
Pour Homme
Weil de Weil

Wolff & Sohn
Hattric Sports
Rodeo

Worth
Worth Pour Homme

Yardley
Cougar

Yohji Yamamoto
Yohji Homme

Yves Rocher
Eau de Vetyver

Yves Saint Laurent
Jazz
Kouros

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Leather Scents Directory - I to Q

Scents that feature a leather note. In some, like Cuir de Russie or Cuir Mauresque, it will be a central, most prominent note, in some, like Coco or Chergui, it will be in a supporting role in the composition. Fragrances with a “suede” note are also included in the directory. The list incorporates vintage and discontinued scents as well as the reformulations and new releases. The directory is a work in progress. Suggestions of more scents and your feedback are appreciated. Also view Leather Scents Directory - A to H and Leather Scents Directory - R to Z.



Il Profumo
Aventure

I Profumi di Firenze
Cuoio di Russia (Russian Leather)

Isadora
Isadora

Jack Black
Eau de Toilette Black

Jacomo
Chicane
Jacomo de Jacomo (Men)
Parfum Rare

Jade
Jade Der Mann Sportiv

Jaguar
Jaguar

J. Casanova
Pour Homme by Casanova

J.D’Auvillers
Cuirasse

Jean Couturier
Keora

Jean Desprez
Sheherazade
Versailles Pour Homme

Jean Louis Trintignan
Jean Louis Trintignan

Jean Marc Sinan
Version Originale

Jean Patou
Colony
Pour Homme

Jil Sander
Jil Sander
Man Two
Man Pure
Woman Pure

Jimmyjane
Kink

Jitrois
Jitrois

Joan Collins
Spectacular

John Varvatos
John Varvatos for Men

Jovan
Andron for Men
Andron for Women
Jovan Grass Oil
Gambler
Ginseng for Men
Man
Mink + Pearls
Pitralon Sport
Sex Appeal for Women
Touche

Judith Muller
Bat Sheba
Shalom

Juvena
Juvena Men
Men’s Style
Nitchevo

Kanebo
Gilvan
Temujin

Karl Lagerfeld
Jako

Keiko Mecheri
A Fleur de Peau

Kenneth Cole
New York Women
Kenneth Cole White

Kiton
Kiton Black

Knize
Knize Ten

Krizia
Krizia Uomo
Moods Uomo

Lamborghini
Lamborghini G.T.

Lancetti
IL by Lancetti
Lancetti Pour Homme

Lancôme
Balafre
Cuir (1939)
Revolte (1936, later Cuir)
Sikkim

Lanvin
Lanvin For Men
Monsieur Lanvin
Scandal
Vetyver

La Prince Jardinier
L’Eau du Prince Jardinier

L’Artisan
Drole de Rose
Dzing!
Dzongkha
Fleur de Narcisse

Laura Biagiotti
Biagiotti Uomo

Le Jardin Retrouve
Eau de Cuir de Russie

Le Labo
Patchouli 24

Lentheric
Onyx

Leonard
Leonard Pour Homme

Les Copains
Les Copains Homme

Les Parfums de Rosine
Rose d’Homme

Liz Claiborne
Claiborne (men’s)

Loewe
Loewe
Loewe Para Hombre

Louis Feraud
Fer

L.T. Piver
Cuir de Russie

Lubin
Idole
Rouge

Luciano Soprani
Soprani Uomo

Maitre Parfumeur et Gantier
Iris Bleu Gris
Jardin du Nil
Magnolia Pourpre
Parfum d’Habit
Soir d'Orient

Marbert
Marbert Gentleman
Marbert Homme
Marbert Man
Marbert Woman
Marbert Woman 2

Marciano
Guess Men

Margaret Astor
Care No 2
Yacaré

Mario Valentino
Ocean Rain

Mark Birley
Mark Birley for Men

Mark Cross
Cross
Mark Cross

Mas
Admiral’s Yachtman

Maserati
Maserati

Matchiabelli
Cachet
Matchiabelli

Mauboussin
Histoire d’Eau

Maurer + Wirtz
GranValor Tabac

Max Factor
Aquarius

Maxim’s
Maxim’s Pour Homme

Maybelline
Daydreams

Mazzolari
Lui

MCM
MCM Success

Mennen
Hawk
Men
Trouble

Michael Baryshnikov
Mischa

Michael Kors
Michael Men

Mila Schön
Haute Couture

Missoni
Uomo

Molinard
Habanita

Molyneux
Fête
Lord Molyneux
Vivre

Mona di Orio
Nuit Noire

Montale
Aoud Queen Roses
Black Aoud
Oud Cuir d'Arabie

Montana
Montana Homme
Parfum de Peau

Morabito
Or Black

Morandiere
Gengis Khan

Morris
Blueback
Morris Man’s Cologne

Moschino
Moschino Pour Homme OK-KO

Muelhens
Carrera
Jacaranda
Juchten
Men’s Classic
Sir Canada Ceder
Sir Champaca
Sir Irish Moss

Mulberry
Mulberry

Myrurgia
Alada

Mury
Cuir de Russie

NellyRodi Scent Factory
Bois

Nerval
Camaro
Musk for Men

Nicole Miller
Men

Niki de Saint Phalle
Niki de Saint Phalle

Nina Ricci
Phileas

Nipon
Nipon

Oleg Cassini
Oleg Cassini For Men
Oleg Cassini For Women

Oscar de la Renta
Pour Lui

Pacoma
Ego 2 Homme

Paco Rabanne
Eau de Sport
La Nuit
Tenere
XS Extreme

Paloma Picasso
Minotaure

Parfum d’Empire
Ambre Russe
Cuir Ottoman
Eau de Gloire

Parfumerie Generale
Corps et Ames
Cuir Venenum
Psychotrope

Parfums de Nicolai
Baladin
Carre d’As
Vie de Chateau

Parfums El Charro
Charro

Parfums R
R Romanoff

Parfums Regence
Kolnisch Juchten

Pecksniff’s
Leather
Oriental Woody

Perry Ellis
America Men
Perry Ellis for Men

Phat Farm
Premium

Pierre Cardin
Bleu Marine
Centaures Cuir Ambre
Centaures Cuir Blanc
Centaures Cuir Casaque
Centaures Cuir Etalon
Centaures Cuir Fougere
Enigme
Men’s Cologne
Paradoxe

Pikenz
Arrogance Uomo

Prada
Prada Man

Priscilla Presley
Moments

Pucci
Signor Vivara
Vivara
Vivara Super

Puig
Aqua Brava
Aqua Quorum
Estivalia
Quorum
Sybaris

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Leather Scents Directory - A to H

Scents that feature a leather note. In some, like Cuir de Russie or Cuir Mauresque, it will be a central, most prominent note, in some, like Coco or Chergui, it will be in a supporting role in the composition. Fragrances with a “suede” note are also included in the directory. The list incorporates vintage and discontinued scents as well as the reformulations and new releases. The directory is a work in progress. Suggestions of more scents and your feedback are appreciated. Also view Leather Scents Directory - I to Q and Leather Scents Directory - R to Z.



Abinoam
Cobice

After Six
After Six for Him

Alain Delon
Alain Delon Plus
Iquitos
Le Temps d’Aimer

Alan Cumming
Cumming

Alcina
Eccelente Man

Alfred Sung
Sung Homme

Amouage
Dia for Men

Andy Tauer
Lonestar Memories

Animale
Animale for Men

Annick Goutal
Duel

Aramis
Aramis
Chromatics
Devin
Etruscan
Gold
Havana Men
Life
New West
New West for Her
Tuscany

Armani
Cuir Amethyste

Armour Dial
Burley

Atkinsons
Henry Cotton’s in Green
Hunter
Rockford ice
Tendresse

Avon
Hud = Clint
Occur!
Odyssey

Azzaro
Acteur
Pour Homme

Babor
Babor for Men

Balenciaga
Balenciaga For Men
Ho Hang Club
Portos
Rumba

Balestra
Balestra Pour Homme

Bally
Bally Masculin

Balmain
Ebene
Jolie Madame
Miss Balmain
Monsieur Balmain

Beiersdorf
Exciting – Amber
Gammon

Betrix
De Soir
Henry M Betrix City
Henry M Betrix Country
Henry M Betrix Party
Street Life

Biename
Cuir de Russie

Biodroga
Aramant

Bogart
Bogart
Bois de Vetiver
One Man Show

Bogner
Bogner Woman

Bond No 9
HOT Always
Wall Street

Borsalino
Borsalino

Bourjois
Masculin 2

Burberry
Burberrys for men

Bvlgari
Black

Cacharel
Anais Anais

Calvin Klein
Calvin
Obsession Night for Men

Cantilene
Men’s Classic

Capucci
Capucci
Punjab
R.Capucci

Carlo Corinto
Carlo Corinto

Caron
Eau de Caron
French Cancan
Tabac Blond
Yatagan

Cartier
Must
Santos

Carven
Monsieur Carven

Castelbajac
JCC No 2
Jean-Charles de Castelbajac

Caswell Massey
Persian Leather

CB I Hate Perfume
In The Library
Leather, Baseball Glove
Leather, Football
Leather, Gardening Glove
Leather, Glove
Leather, Jacket
Leather, New Shoes
Leather, Old
Leather, Russian
Leather, Spicy
Mr. Hulot’s Holiday
Violet Empire

Cerruti
Cerruti Fair Play
Image (for women)

Chanel
Antaeus
Chanel No 19
Coco
Cuir de Russie

Chantal du Monde
Silver Shadow

Christian Dior
Bois d'Argent
Diorama
Dior-Dior
Diorling
Fahrenheit
Jules
Miss Dior

Clinique
Wrappings

Comme des Garcons
2 Man
Garage
Skai

Comptoir Sud Pacifique
Piroguier

Coty
Iron
Nuance
Sophia

Courreges
Amerique
Courreges Homme
Empreinte Women

Courvoisier
Courvoisier L'Edition Impériale

Creed
Cuir de Russie
Royal Delight
Royal English Leather

Crown Perfumery
Sumare

Cussons
Imperial Leather

Dana
Cambridge
English Leather
English Leather Musk
Racquet Club

Davidoff
Davidoff
Relax

Dawn Spencer Hurwitz
Cuio
Erotica
Medieval Leather
Russian Leather

Demeter
Leather
Riding Crop
Russian Leather

Dolce & Gabbana
By for Men

Donna Karan
Donna Karan New York
Man Unleaded

Dr Payot
Piment

Dr. Vranjes
Zefiro

Dunhill
Dunhill for Men
Fresh

Durer
Durer

Eau d’Italie (Le Sirenuse)
Bois d’Ombrie

Elida-Gibbs
Denim
Denim Musk

Elizabeth Arden
Memoire Cherie

Elizabeth Taylor
Passion

Enrico Coveri
Dollar
Enrico Coveri Pour Homme

Escada
Magnetism for Men

Estée Lauder
Azurée (original)
Metropolis

Etat Libre d`Orange
Divin Enfant
Eloge du Traitre
Je Suis Un Homme
Putain des Palaces
Rien
Vierges & Toreros
Vraie Blonde

Etienne Aigner
Etienne Aigner
Etienne Aigner No 1
Man in Leather
Man in Suede
Silver
Suede Edition Man
Woman in Leather
Woman in Suede

Etro
Gomma
Palais Jamais

Faberge
20:21
Cellini
Turbo
West

Farina Gegenuber
Kolnisch Juchten
Russisch Leder

Fendi
Fendi
Fendi Uomo

Ferragamo
F de Ferragamo (original)

Francesco Smalto
Francesco Smalto

Francis Denney
Adolfo for men

Frapin
Frapin 1270

Fred Hayman
273 for Men

Frederic Malle
Le Parfum de Therese

Fresh Scents by Terry
Gregory

Gainsborough
G-man’s

Gal
Agresste

Gendarme
Gendarme
Lust

Geo F Trumper
Sandalwood
Spanish Leather

Gianfranco Ferre
Gianfranco Ferre Uomo

Giorgio Beverly Hills
Giorgio V.I.P.
Red for Men

Givenchy
Gentleman
Pour Homme

Goya
Cedarwood

Gres
Cabochard
Gres Monsieur Sport
Gres Pour Homme

Gucci
Gucci No 3
L’Arte di Gucci
Pour Homme (old version)

Guerlain
Atuana
Cuir Beluga
Cuir de Russie (1875)
Derby
Djedi
Habit Rouge
Heritage
Jicky
Parure
Peau d'Espagne
Shalimar
Vetiver
Vol de Nuit

Guy Laroche
Drakkar Noir

Halston
Halston 101
Halston Couture
Halston Limited
Halston Z-14

Hanorah
Pancaldi

Hanusch
Mozart

Hechter
Caractere

Heeley
Eau de Cèdre
Fine Leather

Helmut Lang
Cuiron

Hermes
Bel Ami
Doblis
Eau d'Hermes

Houbigant
Chantilly
Ciao
Monsieur Houbigant
Musk Monsieur

Hove
Habanera

Hugo Boss
Boss Spirit
Hugo

Hummer
Hummer

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